The Camera Obscura in 18th Century Venice. Ezio Bosso come non l'avete mai visto: il più grande direttore d'orchestra di fronte alla vita - Duration: 12:02. Canaletto's earliest datable works are four views of Venice from about 1725, unusual because they were painted directly on the site.
There can be no doubt the camera obscura was a well-known tool among the view painters in 18th century Venice. He later returned to the traditional method of working from drawings and mastered the camera obscura as an aid. The camera obscura, in which a box allowed light to be admitted through a tiny pinhole onto an angled mirror, created an exact reflected image onto a surface from which one could trace. When Canaletto’s biographer wrote in 1771 that he used a camera obscura to trace his key works, he set down in print a trope that would follow the artist for centuries. Canaletto also created capricci, views that were either completely imaginary, or partly based on real places, such as Imaginary View of Padua (c. 1741). It is well established that in the 18th century some other famous painters employed the device, the best-known being Canaletto, whose own camera obscura survives in … CAMERA OBSCURA. Also known as a "pinhole camera," this is a real scientific instrument that has been documented since the Middle Ages and was used from the mid-16th century as an artist’s tool. Reliable commentators of the period mentioned the device being used by Canaletto, Bellotto, and Guardi. SaverioTommasi Recommended for you A camera obscura made, or perhaps simply owned, by Canaletto, as revealed by the inscription "A. CANAL" on the protective cover. Camera Obscura used by Canaletto. A camera obscura made, or perhaps simply owned, by Canaletto, as revealed by the inscription "A. CANAL" on the protective cover. Canaletto's early works remain his most coveted and, according to many authorities, his … A pinhole camera with lense is said to have been used by Canaletto. Spending most of his life in Venice, Canaletto began by painting theatre scenery then moved on to city views, drawing on site, sometimes with the aid of a camera obscura. Canaletto had by now all but perfected this skill by using a camera obscura to prepare his paintings and etchings.